Movie Review: The Twilight Saga: Eclipse (B)

By ANDY MORGAN Making fun of Twilight fans and bemoaning Stephanie Meyer’s novels and the subsequent movies is almost as easy as drumming up sarcastic jabs about Lindsey Lohan, Paris Hilton or Miley Cyrus. There’s no effort required. It’s easy. And it’s also out of control. It’s almost as popular to dump on the vampire-werewolf franchise as it is all the rage to scoop up Team Jacob or Team Edward paraphernalia at Hot Topic. Every time I see a teen

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Movie Review: The A-Team (A)

Every autumn for the last four years, Dan and I, along with our pal Nick, head up to Garden City, Utah – home of Utah’s Bear Lake – and spend a weekend inhaling everything and anything bad for your body, including Doritos, cinnamon rolls, bacon, M&Ms, Swedish fish, soda, Oreos, Nutter Butters, hamburgers, fries, pizza and anything else in sight that’s chocked full of sugar. This three day culinary orgy is affectionately called “Mankend” and is punctuated by an afternoon

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Get Him to The Greek Movie Review (A-)

It would be easy to dismiss all the boobies, drugs, drinking, swearing, puking and other dirty deeds in Get Him to the Greek as “been there done that,” especially considering the director, Nicholas Stoller, was the man behind Forgetting Sarah Marshall, the movie that inspired this current spin-off sequel. And of course we can’t forget the Judd Apatow (Knocked Up, The 40 Year-Old Virgin) connection, as he serves as producer on both comedies. But what makes Get Him to the

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Shrek Forever After Movie Review (C+)

Shrek and Shrek 2 can easily be referred to as animated classics and have, like nearly every feature film in the Pixar canon, set the standard for tone and design in computer-animated movies for the last decade. Using irreverence as fuel – almost making concerted efforts to be the anti-Disney, and buoyed by an eclectic list of effective voice talent, the first two Shrek films were able to appeal to adults and kids with its fairytale mix of sweet and

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Iron Man 2 Movie Review (A-)

I had this big introductory paragraph parsed out about how difficult it is to make sequels that don’t suck in Hollywood and how it’s even harder to push out a comic book sequel considering the rabid throng of fans frothing in the background, waiting to pounce if their beloved story isn’t up to par with their expectations. I imagine this type of stress might cause the bookkeepers in Tinsletown to drink Mylanta like an ice-cold pitcher of summertime Kool-Aid and

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