Clash of the Titans Movie Review (Dan’s Take)

First, a warning: Loaded with the stuff eyes love gnoshing, Clash of the Titans should be seen in two dimensions, not three. Filmed top to bottom for a 2D release, Clash of the Titans composition, lighting, effects and edits were created for the unaided eye. As a result, Clash of the Titans retrofitted 3D presentation is a dim, vision punishing mess of double imaging and off-kilter depth; slipshod artifacts that disrupt viewing to the point of souring it. Technological grumbling

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Titans… Will… Clash… One Week Later

Damn this 3D frenzy. Dammitall! Warner Brothers recently held a screening to test how the 2D filmed Clash of the Titans would play with a trendy new 3D upgrade. Apparently, the test worked like peanut butter and ladies. Warner has just announced they’ll release the rockin’ monster-heavy Grecian revival in both old-school/nerdy 2D and new-school/the hotness 3D. Thanks for ruining everything, Avatar! So depending on which side of the 3D camp you’re living on, there’s good and bad news. First,

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Theater Goobs Monkeyhump Avatar’s 3D

After screening a murky, dark and generally crappy presentation of Sherlock Holmes last night, sympathy is in full effect for Danny, a regular reader/commenter here at AATM who recently pointed out the horrible 3D experience he had with Avatar at a Westates theater: I’ve never had an issue seeing 3D at the theater. [I] saw Up in 3D and A Christmas Carol 3D and both were fine. I got the depth of field and all was nifty. But this…this was

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Not Content to be a Final Destination, Final Destination Becomes THE Final Destination

So the Final Destination series is really great at tension. In fact, they’re tension factories. Still, they’re kinda dumb. But dumb in the sense that horror aficionados can love it, since the whole premise is taking their arch enemies– IE nondescript young people with modeling contracts– and building a better blunt/sharp object mousetrap to punish them with. And, with no villain but death, it’s a gift that keeps on giving. In 3D, even. Juicy. The trailer for the fourth installment

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Michael Bay Takes 3D, Explodes and Perforates It

I’ll make no apologies. I’m an ardent defender of Michael Bay’s filmography. Yes he’s known as a cocky, volatile potty mouth who subsidizes the cochlear implant industry with big, dumb action movies– and all with the prettiest feathered hair you’ve ever seen this side of The Max. But when explosions and flying chunks of debris demand star treatment–when you need a sunset silhouetted money shot–Michael Bay refuses to disappoint. So put your Pearl Harbor hatred down and back away from

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Monsters vs. Aliens (****)

When it comes to animated movies, Pixar (and likewise Disney) has set the gold standard with pretty much anything they spit out. Whether it’s “Toy Story” (1995) or “Wall-E” (2008), the CGI animation studio in Emeryville, California is a lock for critical acclaim and box office success. They could make a movie about a pair of talking underpants and people would stream to the cinema to soak it up. Even with all glory, laud and honor going to the studio

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